the force fields are fully engaged to send any and all circling a wormhole drain around a realm of imagination where nothing and everything is down the drain including the drain
No exit and no return From these imprisoning shadows. A rustling creak creeps above From a dread dimly seen Thrills a chill of loosened bowels. You really don’t want to know…
Cut off from his loved ones due to the pandemic lockdown, a quadriplegic rabbi in a long-term-care facility is filmed remotely by his daughter. Offering powerful meditations on love and hope, Perfecting the Art of Longing shows us what it means to be alive in a state of profound isolation.
April is National Poetry Month, and for the occasion Frank Hudson’s Parlando Project has been producing a series of “Lyric Videos” based on audio recordings of the poems done previously. The month is not even half over, but (so far) Hudson’s performance of “Zeppelins” by F.S. Flint is my favorite, though “Dunbar” is not far behind.
And of course, the poem is also so very appropriate to what is once again happening in Europe these days, not to mention elsewhere in the world none of which I’m not going to mention as I’m sure to shamefully leave somewhere or two off the list…
The term “lyric video” is also new to me though the practice is… not new. As a concept, though, it wraps up and gathers together poetry as oral interpretation and poetry as literature. As a bonus, one can throw in ancillary aspects like music, musicality, concrete poetry just to name-drop a few. Is pretty cool concept, methinks.
This animation from director and animator Renee Zhan is weird and wonderful and existential and it will fulsomely reward you for the 16 minutes you entrust to it. Never mind that the filmmaker describes it this way:
“A woman who can’t stand the passing of time sucks everyone and everything she loves inside herself to keep them with her forever. Eventually, she turns into a black hole.
“A thousand unchanging years pass inside her dark embrace until one day, the Singularity wakes.”